Dear Steven Moffat: The Almost People

Dear Steven,

A very small measure of apologies, with ice, for the delay in writing with regards to last night’s episode; I was bruised and battered, I couldn’t tell what I felt, I was unrecognisable to myself; what happened to our ‘hands off Amy’ accord?

You’ll recall that a year ago, as Peel’s Bobbies were pulling me back from your landing, across the threshold and into the street, when my sincere but with hindsight, over zealous attempt at seeking restitution for the loss of goodwill incurred at the Pandorica resolution, failed, and they started to beat me while your children watched and laughed, we m- sorry, I’ve forgotten what I was going to say.

Oh yes, we made a pact, didn’t we?

Amy had been killed during the previous week’s shenanigans, (the Doctor’s right, that is a wonderful word), and all I sought was a guarantee that lovely Amy, beautiful Amy, glowing, sarcastic, sexually unavailable Amy, would never again be harmed on my drool box. You made me believe this would stand and I trusted you, because I’m a real trusting person. Well, almost.

I know what you’re going to say; two things, first, ‘not me gov’, you didn’t write the offending scene did you? Oh no, that was Matthew Graham, but who is Graham if not your representative on Earth? You primed him alright, and you told him what had to happen. The two of you are up to your necks in it and don’t think I don’t know that.

Second, you’ll argue that the Amy reduced to a puddle was not the apple of my eye but one of those plastic apples that you get in the fake fruit baskets that populate the homes of the tasteless. I might have agreed with you, as technically you’d be correct, it’s just that the episode in question made this problematic. You did watch it before writing that final scene, didn’t you?

It’s for you and Graham to argue over of course, I don’t wish to intrude upon private grief, but it seems to me that the episode centred on whether or not Gangers, though they be servile, could be regarded as people in their own right.

The title of the episode suggests not, Amy’s ganger, unaware of its own artifice, thought not. In fact, this was, with hindsight, the fiendishly clever thread that ran through the story, namely that Amy, whom we all dote upon and consider as the centre of our philosophical universe, inadvertently, in response to the Doctor’s double, made the case for her own destruction, positing the notion that Gangers, though they be sentient organisms, don’t quite hold the same status as their parent beings when it comes to individuality.

My problem is that The Doctor’s position and therefore, one presumes, the writer’s position, was that the opposite was true; Gangers were people and they had the right to life. The ganglinoid’s declaration, in respect of his occasionally unhinged twin, was “I am him and he is me”; not a view that I shared but I understand that The Doctor was making a philosophical case that was supposed to overwrite our understandable feelings of suspicion and disgust.

It seems to me that there’s an argument, though it would take a better man than I to make it, that the episode’s climax underwrote the noble intent of the episode, making a mockery of the previous 90 minutes. One can understand The Doctor’s double melting down Jennifer’s Ganger, after all, she was psychotic, monstrous and a threat, so I’d have done the same, and we can forgive the alt-Doctor because he did himself in at the same time and for the good of the show, not to mention your arc which would have been undermined were it resolved with a cheap trick like a convenient Doctor body double. The real Doctor however, with malice of forethought and seemingly little conscience, murdered Amy’s Ganger, though it was, in its own mind, a real person.

Now, Amy’s double, physically perfect in every way, and I know because I was really looking, wasn’t like the ones in the Industrial Zone of the Crystal Maze; she wasn’t independent, I understand that. The link between her and our Amy, up the stick in a space asylum, still functioned, but the Gangers that were melted down in the opening part of last week’s show were also servile, as were the mound left to rot while fully conscious, and we were supposed to feel sorry for them. I mean, I didn’t, but…

Am I to infer that we were supposed to regard Amy’s Ganger as superfluous, therefore unnecessary, and once revealed, thereby solving the mystery of the intermittent pregnancy and signalling that our Amy related attentions should be focused elsewhere, she could be disposed of like a used condom?

The Doctor melted her down without so much as a flinch, despite telling us just 45 seconds earlier than the flesh retained memory at the microcellular level. He didn’t seem to care that he was depriving Rory of possibly the greatest threesome in the history of human sexuality. He didn’t pause at the possibility that Amy’s double, which had enjoyed experiences independent of its parent, may have obtained some small measure of autonomy and therefore have earned the right to life. Not that we’ve earned it, you understand.

It would curious if this didn’t disturb us; after all, these were the arguments advanced over the last two weeks. Still, I understand that you didn’t write those arguments and that you’re a busy man, so may not have had the time to read them prior to attaching your final page of script in Word, then PDFing for immediate print and dissemination to cast members.

That moral maze question aside, this was an interesting episode; an important instalment disguised as an entertaining but essentially inconsequential bridge between last week and next. I wish I’d known how important this two-parter was, because perhaps I’d have paid greater attention to what people were saying, rather than wasting my viewing experience fixating on Amy’s lovely face or that Eye Wall, which Steve Jobs must have viewed with barely concealed envy.

Technically I thought it was rather good in places. I enjoyed The Alt-Doctor’s identity crisis. It was odd to hear Tom Baker’s sultry tones leaking out of Matt Smith; his weedy frame could hardly contain that voice; it was like watching a kitten try to swallow a Mini, and somehow succeed. I’m told Tennant’s voice was also there, but I regret that his Englishman impression is so close to Smith’s real voice, not least when Smith is being hyperactive, that I couldn’t tell them apart. Was it done using samples from previous episodes, Steven? If so, couldn’t you have sampled John Pertwee’s voice too? Perhaps the sound engineers couldn’t be bothered, after all it must be incredibly difficult to find a clip of Pertwee’s catchphrase in the Doctor Who archive.

So, now we know – we know now. Amy is pregnant and not only that, she’s been snatched. Soon we’ll know who River is, perhaps what that regenerating child was all about and the poor Doctor is about to be forever changed. That sounds like a big episode Steven, an important one. I pity the poor bastard who’s got to make that fucker sing.

Yours in time and cyberspace,

Ed

The story so far:

Dear Steven Moffat: The Rebel Flesh

Dear Steven,

“A lot can go wrong in an hour.” So spoke The Doctor in the first part of Matthew Graham’s double adventure and I was struck by how provocative a temptation for fate that was. If critics, remembering Graham’s Fear Her, still bore a grudge, they’d jump on that line like Ed Miliband on a rogue adjective. Mind you, fate got its treat, a line that wore a see through negligee, no panties and shamelessly bent down to pick up a clumsily dropped handkerchief.

Do writers like to do that, Steven, tickle fortune’s scrotum? I’m going to resist Graham’s goad, because although his wasn’t a vintage adventure and was cursed, being an encore to a very strong instalment, it nevertheless explored three human illnesses with great insight; I refer of course to schizophrenia, reproduction and contempormania.

Having known a paranoid schizophrenic, whom I bred in a lab during a long summer at Whitfield House, and who sadly couldn’t cope with the man living in his mind and went on to murder most of Woad Village before pulping his brains with a bolt gun, I was fascinated by Graham’s literalising of the condition. These “Gangers”, named perhaps after Victoria Ganger, the landlady of The Hollow Ulsterman, whose face was sucked off by an elephant in an attack The Times called “incredibly rare”, were anxiety made rebel flesh.

No one enjoys the idea that they may one day lose control of themselves, enduring the hell of an out of body experience where they float in the corner of a field while a mad man or woman with their face (the gender is interchangeable if you’re a transsexual), does awful things to a pony’s undercarriage. None of us want that, Steven, and here was the episode that said it was okay to electrocute yourself if you thought it would help. Once again, Doctor Who’s beneficence to a family audience is a clear, positive message.

Still, if we take the concept of liberated clones at face value, there was still much to ply the mind. For many of us, life is only bearable because of the enjoyable fiction that we are in some way unique. C’mon Steven, it doesn’t matter what people tell you, we both know that the ego only functions because it thinks it’s a happy accident, similar to others perhaps, but not quite the same. There’s more than a few people out there, and we encounter them every day, that need to believe that they alone hold the right balance of insight, imagination, understanding, humour, experience and intellect, and this, above all else, gives them the edge over their friends, family and slaves.

That episode of Star Trek: The Next Generation with Scotty in it, taught us that humans need to feel useful but LIFE has taught us that we must stand out. If we cannot, a sense of disillusion, hopelessness and self-loathing promptly follows. I know that if I had a clone, inseminated with my memories and experiences; an abomination, whose subjectivity was indistinguishable from my own, then I’d want it destroyed. Alright, I might use it first, paying it to date ladies that I didn’t dare take a chance on to see if I/it got on with them (with a view to killing it and taking over if it did), or perhaps I’d bribe it to attend social events I couldn’t face or, depending on how amenable it was, coax it into the bedroom to fulfil a long held fantasy, but then I’d want it put down.

You may find that reaction unusual, Steven, after all isn’t the impetus behind reproduction, immortality? Don’t we seed a new generation so we can extend ourselves beyond this mortal shell and bestride the future with a living breathing copy, indoctrinated with our prejudices, our mannerisms and, following a period of tiresome rebellion, our life choices and mistakes?

I agree our aversion to clones is hypocritical for that reason, though maybe we don’t mind children because they’re living a different life, with a different name (mostly) and having fresh experiences. We’re not threatened by them, are we? Not in the same way as duplicates made of a malleable semen substitute. I suppose that’s why so few are smothered.

Then there was contempormania, the modern malady afflicting writers of popular science fiction series. It was brave of Graham to be forthright about his illness and I’m sure most viewers were quite humbled by what they saw. I read that this condition, whereby TV writers are compelled to use contemporary idioms and pop-culture references in an inappropriate setting in order to connect to an imaginary audience of dopes, affects one in five Doctor Who writers.

I recall that Russell T. Davis, who will surely succumb any day now, was a classic case, littering his scripts with all sort of present day pleasantries, no matter what the century, or planet. The poor fuck forgot that we watch Who to get away for that nonsense. Initially, with the band Muse playing in the TARDIS console room and Rory playing darts, possibly the thinnest and most effeminate man ever to do so, I thought this episode might be hard work but wrote it off as an attempt by the Gallifreyan ganglinoid to make his passengers feel more at home.

Later, with both ship and crew on terra firma, apparently sometime in the 22nd century, panic started to set in when everyone, including the natives, started to speak like characters from 90s American sitcom, Blossom. Does Graham really think that “my bad” will be a phrase in common usage a hundred years from now, or that the conspicuously non-conformist Doctor would use wording like, “always with the Rory”? No, of course he doesn’t, it’s the illness – I understand that, but what if some viewers didn’t?

Still, this wasn’t a bad episode was it, Steven? It didn’t always hang together well, maybe less than the sum of its creepy parts, but it was, as discussed, resplendent with interesting themes and not un-sinister. Graham, to his credit, has set up an interesting cliffhanger, worthy of a week long musing. After all, it was easy for The Doctor to wax lyrical about these duplicates being individuals in their own right, as legitimate as their originals and worthy of freedom, but what to do now he’s got one and, if next week’s teaser is anything to go by, it’s nuts? That’s a dilemma, innit.

Yours in time and cyberspace,

Ed

P.S: Congrats on not killing Rory this week. Let’s not say it will never happen but he deserved an episode off.

More returned mail:

Honk If You’re Psychotic

It was quite a thing to be alive in the year two thousand and eleven, when the humble pedestrian couldn’t cross a road without encountering a psychotic motorist, eyes bulging and glazed with hate, careering toward him at murderous speeds.

This morning, on my way to work (yes, I work, believe it), I stepped out onto the open road; a road that at first glance appeared clear. As I took those first foreboding steps, something like a smudge appeared in my peripheral vision. I turned my head and was surprised to see a burgundy bastard-wagon less than twenty feet from my brittle bones and soft flesh.

As it got larger, I caught a brief glimpse of the driver; an ordinary man, except that his face was ugly with rage.  As the second stretched to breaking point, I had the sudden realisation that I wasn’t a human to this man, simply an obstacle on the road; his road. The car, now nearly on me, was not decelerating. Now I knew, perhaps with only another second left to act, that if I didn’t quicken my pace I would be hit. At a rough estimate, this man, who presumably had been awarded a driver’s licence at some point in the past (during a test in which he’d have had to make a show of being cautious), was pushing his pedal to around 40mph. At that speed I’d be irreparably damaged or deceased on impact.

I don’t want to spoil the ending for you, though the clues were seeded in the preceding paragraphs, but I surged forward and survived. As soon as I had, however, annoyance flooded my system. It occurred to me that I’d had many of these near misses and they all shared a similar character. I should say before I continue that the road was clear of other cars, so I hadn’t walked out from behind anything, and I’d been in a bit of daze, because it was first thing and I’d only abandoned my dream about being trapped on a U-boat with an all female crew, just half an hour earlier. However, it troubled me and now I’m going to waste your time explaining why. Blame him.

I’m not a driver. That’s an important point. I don’t respect the culture of motoring; I don’t like it, I despise what it’s done to our cities and our countryside, I abhor the shift from the train to the world of Mr Toad that’s occurred over the last century and have no ambitions to learn to drive because thankfully I live in one of the few places on Earth where it still isn’t necessary. Nevertheless, despite being forever the passenger and never the pedal pusher, it seems to me that the act of driving seems to induce a soft form of mania in those that dare, which in the worst cases mutates into full psychosis.

Driver’s have little reason to complain. I’m not talking about fuel prices, because that’s incidental, and frankly, tough; I’m talking about the culture of driving itself and the advantages motorists enjoy. The most important point is this; wherever you’re going in your vroom vroom, whether it be a short journey to work, a school run or a trip to the coast, your journey time is much shorter than would ever be possible naturally. That’s right, you’re ahead. Try walking from your home to the nearest town and see how much of your afternoon it devours. Yet, despite the motorists mammoth time saving, time they can use to conceive more kids to take on that school run or burn a mattress before their girlfriend gets home, drivers are some of the most impatient people alive.

It’s great to be alive.

My would-be killer could have slowed down and allowed me to walk across the road at my own pace but decelerating, maybe even stopping, then having to accelerate once more, might have cost him anything between 20 and 30 seconds. My life, which hitherto had seemed important, if only to me, wasn’t worth half a minute to this fuckwand.

Were I a pragmatist, accepting the fact that life is cheap and that a creature on two legs has no business crossing a road, it is after all the dominion of the motorist and theirs to do with as they see fit, I might wear a sandwich board inscribed with the legend,

“ATTENTION: If I’m killed by you then you’re legally obliged to remain at the scene until the police arrive. You can’t drive off, that’s an offence. You may be arrested, which will detain you for a long period, possibly weeks or months, and there’s every chance you’ll be given a token prison sentence or worse, from your point of view, a driving ban. Think how late you’ll be.”

I’d have to cross the road like a crab you understand, else they might not get a proper look, but as the prospect of killing me holds no fear for these defectives, then appealing to their impatience might be the determining factor in whether I live or die.

If you’re a driver consider why you don’t care about committing murder, as long as the weapon is your car. Your argument is likely to be that you have right of way, after all the road was built for your wagon wasn’t it, not the humble pedestrian, but don’t you think that assuming they’ll get out of the way in time is, well, a bit dangerous?

Perhaps you’ll be lucky. After all, the fool that nearly squashed me one rainy night in 2001, missed by inches and the cyclist that was a finger length away had time to yell “watch out!”, though he didn’t think to apply his breaks. So maybe you’ll be like them, but what if you’re not? In a split second anything can happen. What if I freeze with fear, as is reasonable when some dazed speed freak comes at you at high velocity, or I move to run and trip, or there just isn’t time to make it to the curb before impact? Well, then that’s my tough shit isn’ t it? I suppose I’ll just have to be horrifically injured or murdered.

The thing is you’re in a car. A car is more robust than a human body, especially at speed. Perhaps the way to think about it is that as I’d have little chance of surviving a collision and your car is 100% guaranteed to survive, then the logical thing to do is avoid hitting me any way that you can. If not, I must infer, and invite a jury to infer, that you’re very happy to kill me, which makes you a psychotic. Slowing down or stopping would show otherwise. Print this off if you like, I won’t mind.

Rationally I know that one day it’ll be over. One day, the car will only exist in a museum and what used to be roads will become pedestrianised spaces, or reclaimed by nature, as we circumnavigate our towns and cities using experimental telepods, underground mag-lev networks and non-polluting sky trams.

Transport museum guides will regale disbelieving groups with stories of irrational human behaviour induced by these laughable relics. They’ll explain how the soft power conferred upon motorists turned normal, healthy people into sweary, aggressive bastards whose god complex often lead to tragedy. They’ll tell them of the government study that confirmed the long held suspicion that public transport reinforced people’s natural propensity toward being mindful of others, as the group dynamic required that they be considerate and show a degree of empathy. They’ll explain how thousands were killed because a false distinction was made in the minds of these poop-poopers, between those on the pavement and those on the road, with the latter being sub-human the moment they crossed the threshold and walked onto their territory.

Sadly I doubt I’ll live to see this day. Not because it won’t happen in my lifetime you understand, it’s just that I’ve got a lot of roads to cross between now and then.

Dear Steven Moffat: The Doctor’s Wife

Dear Steven,

You’re to be congratulated. The stance you’ve adopted on spoiler-merchants, Whovians that mine nuggets of scripts from preview valleys before disseminating their booty to impatient misfits, was quite right. Why can’t people wait for transmission huh? Why can’t they let it unfold as broadcasters intended?

I’ve heard it said that these geek extremists, who indiscriminately target their own, as well as non-fans, in their bid to kill as many surprises as possible, imagine themselves to be inseminated by the information, like idiots and the Holy Spirit. They believe that it enhances them, makes them more important, like a one man media outlet, and there’s no use in being special unless you can advertise the fact. I’ve heard that, but I don’t put any stock in it.

In unrelated news, I was cock-a-hoop when I realised that I knew the writer of tonight’s Doctor Who, Neil Gaiman. This Wednesday I was at Maggie’s café in Lewisham, dunking chips into yokes with my old pal Saggy Membranes, when I happened to mention that Gaiman, hitherto unknown to myself, or so I believed, was penning tonight’s chunk and this was causing some excitement. Gaiman’s reputation preceded him, apparently. Then Saggy said,

‘Neil Gaiman? Jodie’s boyfriend? He’s making TV now?’

Well, I was taken aback. Now I thought about it, the name had rung a cloister bell, and with good reason; Neil had built up a certain notoriety over the years. His name was legend in a hundred pubs in South East London, the Keyser Soze of the Alcoholics fraternity; a notorious, urinating, vomiting monster, with a foul mouth and a reputation for cruelty to animals, not least pigeons which he used to feed bread soaked in bicarbonate of soda; a treatment that made their stomachs fill with gas and explode while in flight.

He was also a serial shagger, a plunderer of females, who’d hooked up with Jodie Scwhitzer, an American now living over here after a failed career in US TV movies about bulimia, teen murderesses, child abuse and cancer. There was also a rumour, supported by several witnesses, that Neil was a practicing necrophile.

‘Hey’, I said, ‘I know Jodie, I could pop over, get the skinny on the episode!’ Saggy agreed this was an excellent idea and the next morning I was ringing the bell that hung off the frame of Jodie’s gated front door on the World’s End Estate. I was out there a while, 12 hours to be precise, but eventually Jodie answered and was delighted to see me, I could tell by the way the veins in her chest glowed bright green.

‘What do you want, Ed?’ she said; she was always bright eyed and bubbly; that, and not that she was thought to have no self-respect, is why men loved her, myself included. I told her I was here to see Neil, as I’d heard he was involved in Doctor Who. She professed to have no idea what I was talking about, such was the security surrounding the episode I suppose, but eventually she allowed me in and told me to wait in the living room, though I’d have to clear the sofa of rancid kebab meat and empty wine bottles first.

Neil eventually entered, broadly resembling the man I’d heard described and perhaps once seen long long ago in The Milkmaid’s Teat on The Old Kent Road. He was completely naked with a painfully distended penis, shaped like an anchor. Its length was no mystery; the glans were pierced and weighed down with a bullring the size of a stately home doorknocker. It had rusted badly. There was an arrow tattooed on his front that ran from his pubic weed to his man mams that read “this way up”. He was emaciated and coloured like bladder fill. He was a writer alright.

I introduced myself as a bit of a Who obsessive and told him how excited I was that a writer of one of my favourite TV programmes was living close by. I’d heard that the forthcoming episode contained major revelations about the Doctor’s origins, only a few of which would contradict the novel Lungbarrow, and I begged him to tell me more, so I could immediately post them to my blog.

‘Wha-, who the fuck are you?’ was all he’d say, the very model of non-disclosure. He made a good show of feigning ignorance of his own work, going as far as to claim that he’d never heard of Doctor Who, that he wasn’t a writer and icing it all with a threat to stamp on my crotch until it ‘caved in’ if I didn’t ‘fuck off now’.

Well Steven, you know full well that a true fan can’t be dissuaded by such protectionist rhetoric, the programme belongs to us, so I wasn’t going to be fobbed off with denials. I refused to leave, telling Gaiman that his name was in print in this week’s Radio Times, so there was no mistake, and I demanded satisfaction. Even as he came down on my talismanic ovoids with the full force of his heel, buttressing them with a size 13 network of bones encrusted in dead skin and sores, I refused to move, reasoning that he’d relent when he saw the scale of my commitment.

I don’t remember passing out but it’s a fact, else how to explain waking up in a skip under darkness? That wasn’t the end, Steven, I went back, banging on Gaiman’s window, demanding to know if Idris really was The Doctor’s spouse, but stubbornly, he’d only appear on the balcony, wielding a giant fruit bat, a bat swung with extreme prejudice into my shoulder, and again into my ribs. They splintered like an Endor tree trunk blasted by an Imperial All Terrain Scout Transport. When I was discharged from hospital a couple of hours later, I caught him again, this time returning to the flat, still naked and late of Cost Cutter.

‘Neil,’ I shouted after him, ‘C’mon man, won’t you at least tell me how you put it together, so I can write my own Doctor Who script?’

But all he’d do is run after me, Steven. He even threw one of his bags at my back. I was badly hurt, I think by a tin of peaches, and I didn’t dare ask any more questions after that. It’s Jodie I feel sorry for.

So, I had to watch it unfold like everyone else and low and behold, the rumours were true, it was a lore-fest, an episode of great depth and invention. The Doctor has TWO JACKETS! Half an hour later, I still couldn’t believe it. Did you sanction that, Steven? I suppose you must have.

Don’t take this the wrong way, because I know you’re a delicate flower, but I think Neil’s episode may be my favourite, or at least one of my favourites. It seems to me that Neil, for all his perversions, hard drinking and unchecked aggression, understands Doctor Who very well, in fact, this episode played like the Doctor’s personality writ large; it was mad, disturbed, occasionally dark, mind-bending and sweet. The conceit of filling a fem with the TARDIS’s consciousness could have been awful. In the hands of a sober writer, I dread to think what might have happened, but Neil was the right man to make that bird fly.

Idris, a glorious eccentric, was the perfect personification of the TARDIS, a sort of female mirror of The Doctor. Neil, though his relationship with Jodie is a notable exception, understands that long-term couples often grow to resemble each other, inheriting their opposite’s quirks and mannerisms. Idris then, was The Doctor’s wife in essence, though not legally of course, and his affection for her, aged and deep, resonated because we’ve long known it to be true; everything about this story felt right to the time travelling connoisseur.

Steven, you’re to be commended for asking Neil to write this episode. His love for the series is obvious and he’s got a temperament to match. Looking back on it, which isn’t hard as it was less than an hour ago, Gaiman’s to be commended for writing such a densely packed 45 minutes. I loved the idea of a Byronic Time Lord with Tom Baker’s height, as well as the callousness with which he was first introduced, then served up as a memory and a set of used body parts. Neil’s such a tease. We saw more of the TARDIS’s interiors at long bloody last, which is a neat corrective and an important link with the classic series. We now know that Time Lords can change sex, which will have lead to some air punching amongst the show’s small but loyal band of transgender viewers, and did I mention the two jacket thing? I don’t know if I’ll get over that in a hurry.

It was funny, it was creepy, it was fresh and meaty; can you please commission Neil to write another one? While you’re at it, could you put pressure on him to leave Jodie? While he was stamping on my groin I noticed some bite marks on her cleavage.

Yours in time and cyberspace,

Ed

More Whovian Ejaculations:

Dear Steven Moffat: The Curse of the Black Spot

Dear Steven,

Watching tonight’s Doctor Who made me think that you’re not so different from my Uncle Squashcourt. I don’t know what did it, perhaps it was his cruel moniker and lifetime of parlaying with ridicule, an affliction that emboldened a man and informed an attitude, but he was a risk taker; a man who’d bet the house on a whim and be damned.

This outlook brought him down on several occasions. He lost his wife in a poker game and his foot on one spin of the roulette wheel, yet he persisted. His ironic death at the wheel of a boat he won in craps, the bastard scuffing an octopus and careering into a reef, just underlined what we already knew; he was consequence blind – my mother went further, calling him ‘a tosser in stupid trousers’.

In choosing Steve Thompson’s imaginarium as an incubator for tonight’s instalment, you showed a similar devil may care disregard for safety. After all, wasn’t Thompson the dude who penned the unsuccessful second episode of Sherlock, sometimes referred to as ‘the pause for breath and get on with other things while you wait for the exciting series conclusion’ episode? I suppose part of you thought that episode 3 is traditionally filler anyway, you know, a coffee between courses instalment, and in this case there was reason to believe it’d be as much; Mr Gaiman’s contribution is next week and we’d just enjoyed a monster two-part opening, making us porn stars for a fortnight, yet this episode was a pleasant surprise.

As the scene was set, an old ship on a sea of fog, I told myself this was going to be the TV equivalent of a sea shanty, an atmospheric but ultimately whimsical experience that nourished the senses but didn’t tell any story of substance. Well, I was right really but as it went on it did start to grip, like a whelk to my heart if you like.

I found myself gradually drawn into Thompson’s world of pirates and sexy sea monsters and was pleasantly surprised by the surfeit of ideas on offer, not to mention the twist that married science fiction to folk lore; that’s the shit Steven, that’s the sort of fugue that satisfies both sections of the audience – the fantasists and the geeks.

I don’t know what you thought Steven, because you never tell me do you – you don’t answer my calls, you don’t respond to the knocks on your bedroom window in the early hours of the morning and you seldom indulge me when I have myself posted to your office. Still, I thought this portion of Gallifreyan gallivanting, rather than bringing on the TV equivalent of rickets, stretched the viewer with some excellent moments. Amongst them, was the appearance of Lily Cole as the sexy siren.

This character finally gave Murray Gold the chance to join the cast as her singing voice and what a bonus that the script called for a tune that aped the composer’s style. I mean, what if Thompson had wrote – ‘The siren opens her mouth and a sound like an intermittent car honk over a rumba beat bleats out’? Maybe he did and Gold crossed it out, I suppose we’ll never know.

In any event there were nice moments aplenty, well, a few; I enjoyed Steven Seagal’s classic movie, Marked for Death, being name checked. Is there possibility of working in other titles in future episodes? Surely in a time travel show you can find a use for Half Past Dead? The Doctor embracing the TARDIS as his loved one was a nice touch, and with the revelation about Cole’s true nature, it was quite an experience to watch a programme that rehabilitated Typhoid, after all who wouldn’t want to be stuck with Lily for an eternity?

As I assume it was done under your auspices, I think we should talk about Rory. I don’t like to, but he’s starting to give me the fear. Now last week I wrote to you to say that I was tired of being teased with his death, it’s not good for my mood. Every week I’m briefly elated, only to be brought down like a couple of testicles. Rory, it seems, is both the universe’s luckiest and unluckiest man. Week after week he is killed and yet, he survives, and not only that, he gets Amy to sit over him, smooching his face. It’s like you’ve sent a missive to your writers with the instruction, ‘insert Whitfield woe-churn scene’. Will this feckless bore ever die? In the first instance he thinks Lily Cole, though magnificent, is better looking than his wife. This tells us he’s insane. Secondly, every word from his gormless mouth is like a verbal belly flop. Can’t we just vaporise him and call it a day? Couldn’t they get a space-divorce? C’mon, Steven, I’ve earned it, surely?

So, a couple of teases for the series overall; there was the now obligatory “arc scene” in which the grand narrative is revived so we don’t forget it. I wondered if the Doctor’s mention of multi-universes existing in the same space, with the scene in which Amy’s temporarily looking at the door of an asylum cell, plus her half- pregnancy, was a hint that she’s currently existing in two places. Could one of them be Gravesend or aren’t you that cruel? Steven, what the fuck is going on?

Anyway, I’m excited about next week, as are most people and I can’t even read, so I have no idea whether Neil Gaiman is any good or not. Until next week m’hearty! No, I have no idea what that means.

Yours in time and cyberspace,

Ed

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