Being able to look both backwards and forwards is a gift, as we discovered in tonight’s episode. We’ve all got to “Face the Raven” sometime, a phrase that likely to become a stock euphemism for death amongst Whovians from now on, but in Clara’s Oswald’s case the writing’s been on the wall since her debut all those vortex runs ago in “Asylum of the Daleks”. The impossible girl, as she was known in her irritating early period, when she was less a character, more a human maguffin, had an association with death akin to a smoker’s relationship with brown fingertips. From inauspicious beginnings, Clara became both enigmatic and, controversially, pivotal to the Doctor’s existence…though that was more about your ego than good plotting.
She’s the first and likely only companion to bookend her tenure with death. Previous versions were sci-fi cheats – a destroyed original that was copied in time and distributed throughout the centuries that ultimately lead the Doctor, in his ultimate bootstrap paradox, to investigate the existence of a girl he only knew because she’d died to save him, thereby retrospectively seeding herself in his timeline. Yes, we hated that Steven, and you for a time, but later, on a hidden street, with an old enemy and gormless graffiti artist watching, there was no way out – Clara fucked up, or maybe, as part of her believed, succumbed to her death drive. The result? Brown bread, deadsville, game over, the big goodbye, the end.
I have to say old fruit, if you’d told me a couple of years ago I’d miss Clara I wouldn’t have believed you, but she grew on me, and I suspect most of the audience, thanks in part to Jenna Coleman’s impish enthusiasm and you (and your retinue of scribes) getting your act together and turning her into a fully dimensional human being. The characterisation was rebalanced so instead of being an irritant with some likeable tendencies, she became a likable sidekick who bordered on annoying. You get points for time served on this show, and the truth is that Clara’s been around so fucking long she’s become a part of the TARDIS furniture. It’s hard to imagine the show without her, and like I said, that was about as likely in the beginning as Christopher Eccleston signing on for a guest appearance.
“Face the Raven” was a good exit for Clara – far superior to the tearful goodbye to her elderly self that might have been last Christmas, and cleverer than the Ashildr revenge kill teased in “The Woman Who Lived”. Maisie Williams’ character was instrumental in Oswald’s demise as it turned out, but it was ultimately Clara’s own cavalier nature – her impetuousness, and false sense of security from being too long at the Doctor’s side, that did for her in the end. What writer Sarah Dollard got so very right, was making Clara’s demise a consequence of her character, so in character, and tying those traits to her TARDIS history. That’s far more tragic and therefore emotionally devastating for the audience than indiscriminate murder or death by misadventure. Clara died because she didn’t listen, misread the situation, was blind to the danger, and imagined her and the Doctor pulling a rabbit out of a hat as they’d done so often. The scene in which she wilfully, even enthusiastically took the death sentence from Rigsy, certain that Ashildr’s promise of protection would force the Mayoress of Murder Street to save her, was an imitative gambit from the Doctor’s school of too-clever-by-half eleventh hour reversals. But the Doctor’s a genius and institutes these brazen twists in full possession and careful consideration of the facts. Clara’s a secondary school English teacher who’s none too cautious since her boring boyfriend died, and ultimately that difference proved to be the gap between life and death.
Clara took on the blight unaware that in doing so she’d inadvertently broken the terms of Ashildr’s agreement with the Quantum Shade alien. “You cut me out of the deal,” as Williams’ put it, meaning the former Viking no longer had the power to remove the death sentence as it was Rigsy she’d promised to the bastard in the bird. This was consistent with Clara this season – taking risks and throwing herself into life as a fully fledged Doctor impersonator once her dreams of domestic bliss had ended. The Doctor chastised himself for not reigning her in, and quite rightly, but death for Clara was the only route out of the TARDIS – it had become her life, in contrast to Amy who’d started to struggle in her final episodes, and it was clear she’d never leave voluntarily. The companion who once threatened to eclipse the Time Lord on his own show, thanks to preferential treatment from you, her creator, got the ultimate corrective in her final story. She died because she wasn’t the Doctor – she didn’t have his intellect or perspective, and critically, she wasn’t built from the same material. We may all want to be the Doctor, but like Highlander‘s immortals there can be only one.
Add to that the Doctor’s dependence on Clara, and her increasing importance as both a check on his excesses and focaliser for his conscience, and it was clear that only a permanent exit would work in-show. Dollard, understanding this very well, gave Clara some important last lines – a plea to the Doctor not to take revenge for her demise, not to be consumed by hate – to be more Matt Smith, less John Hurt. It worked because it was exactly what we’d expect Clara to say under the circumstances, and it made the Doctor’s final veiled threat to Ashildr, before he was transported off to face the real enemy, in effect the sponsor of Clara’s death, that much more powerful. From now on Ashildr’s existence will depend on the Doctor’s self-restraint, the ability to regulate his own behaviour, sans his friend, and a conflicted Doctor, combustible beneath the surface, is a very tasty prospect indeed.
“Face the Raven” was a vintage episode then, the first of a three-parter as it turned out. Sarah Dollard crafted an intriguing mystery, wrote out a major character with pathos and understanding, and set up an absolute barnstormer of a finale – a pair of episodes that only you can now ruin. Please don’t Steven, after last year’s run and the odd mis-step this season, I’m finally, having looked to the past year and peered into the future, beginning to enjoy myself.
Yours in time and cyberspace,
P.S: Kudos to Dollard for contriving to get the Doctor straight out of this week’s Harry Potter attraction and straight into next week’s finale via a teleporter. Clara left dead on the cobbles was powerful…but I hope the Doctor returns to give her a proper burial and inform next of kin. It’s the least he can do.
P.P.S: Rigsy’s tribute to Clara on the TARDIS, though it’s technically vandalism, was a nice touch. I did wonder for a second if the old girl had done this to herself but then remembered there was no Adric art following “Earthshock”.
P.P.P.S: Perhaps the most interesting part of the episode was Clara’s final suggestion that she’d invited death – a prolonged hangover from Danny Beige’s demise. That was a nice psychological touch. It’s just a pity we’ll never know.
P.P.P.P.S: The prospect of a bitter and lonely Doctor fighting an unseen but historic foe is one built for Peter Capaldi. Having ruined Davros this year, please try not to fuck another classic villain up, else you’ll be facing the raven sooner than you think.
The Old Man and the C:
- Dear Steven Moffat: The Magician’s Apprentice
- Dear Steven Moffat: The Witch’s Familiar
- Dear Steven Moffat: Under the Lake
- Dear Steven Moffat: Before the Flood
- Dear Steven Moffat: The Girl Who Died
- Dear Steven Moffat: The Woman Who Lived
- Dear Steven Moffat: The Zygon Invasion/The Zygon Inversion
- Dear Steven Moffat: Sleep No More
The Clara Oswald Show:
- Dear Steven Moffat: Deep Breath
- Dear Steven Moffat: Into the Dalek
- Dear Steven Moffat: Robot of Sherwood
- Dear Steven Moffat: Listen
- Dear Steven Moffat: Time Heist
- Dear Steven Moffat: The Caretaker
- Dear Steven Moffat: Kill the Moon
- Dear Steven Moffat: Mummy on the Orient Express
- Dear Steven Moffat: Flatline
- Dear Steven Moffat: In the Forest of the Night
- Dear Steven Moffat: Dark Water/Death in Heaven
- Dear Steven Moffat: Last Christmas
Smith – The Dark Suit Jacket Years:
- Dear Steven Moffat: The Time of the Doctor
- Dear Steven Moffat: The Day of the Doctor (50th Anniversary Special)
- Dear Steven Moffat: The Name of the Doctor
- Dear Steven Moffat: Nightmare in Silver
- Dear Steven Moffat: The Crimson Horror
- Dear Steven Moffat: Journey to the Centre of the TARDIS
- Dear Steven Moffat: Hide
- Dear Steven Moffat: Cold War
- Dear Steven Moffat: The Rings of Akhaten
- Dear Steven Moffat: The Bells of Saint John
- Dear Steven Moffat: The Snowmen
- Dear Steven Moffat: The Angels Take Manhattan
- Dear Steven Moffat: The Power of Three
- Dear Steven Moffat: A Town Called Mercy
- Dear Steven Moffat: Dinosaurs on a Spaceship
- Dear Steven Moffat: Asylum of the Daleks
Smith in his Pomp:
- Dear Steven Moffat: The Doctor, The Widow and The Wardrobe (Christmas Special)
- Dear Steven Moffat: The Wedding of River Song
- Dear Steven Moffat: Closing Time
- Dear Steven Moffat: The God Complex
- Dear Steven Moffat: The Girl Who Waited
- Dear Steven Moffat: Night Terrors
- Dear Steven Moffat: Let’s Kill Hitler
- Dear Steven Moffat: A Good Man Goes to War
- Dear Steven Moffat: The Almost People
- Dear Steven Moffat: The Rebel Flesh
- Dear Steven Moffat: The Doctor’s Wife
- Dear Steven Moffat: The Curse of the Black Spot
- Dear Steven Moffat: Day of the Moon
- Dear Steven Moffat: The Impossible Astronaut